Plants I love

Plant art for Christmas

Publishers believe that garden books only sell in the run-up to Christmas. The idea seems to be that we only buy garden books to give them away. Here’s one you’ll have trouble deciding whether to keep or wrap, and as you mull over the decision each flick to a new page will shift you ever closer to finding some other gift for that art-loving or plant-loving friend.Plant: Exploring the Botanical World

Plant: Exploring the Botanical World, published by art and garden book specialists Phaidon, (rrp $80) collects 300 artworks from around the world across a span of 1500 years. While some fit the criteria of botanical art, with a scientific purpose underlying a beautiful composition, most celebrate the beauty, ephemerality and intrinsic interest of flowers, and do so in a range of materials, some of them surprising. There’s a confrontingly sexual orchid made from bronze and painted white by British sculptor Marc Quinn, who’s famous for having carved a sculpture of his head using his own frozen blood. What looks like a photo of a rhipsalis in shy flower turns out to be a monumental, giant-sized, 2.59m x 1.7m, hyper-real oil painting by South Korean artist Lee Kwang-Ho.

Lee Kwang-Ho, Cactus No. 59, 2011, oil on canvas, 259 × 170 cm, private collection. Picture credit: © Lee Kwang Ho / Johyun Gallery (page 57)

Lee Kwang-Ho, Cactus No. 59, 2011, oil on canvas, 259 × 170 cm, private collection. Picture credit: © Lee Kwang Ho / Johyun Gallery (page 57)

Also surprising is a plate from the Ferns of Great Britain and Ireland made by Henry Bradbury at the height of fern-fever in Britain. It looks like a very fine watercolour, but is actually a nature print, a process in which the actual plant is pressed into soft lead to form an image. The image is then transferred electrically to copper, and printed using coloured inks. The technique was developed at the Imperial Printing House in Vienna. Bradbury studied in Vienna and improved on the technique, which he patented in London. The delicate ferns depicted here are printed in greens and browns and their laciness is perfectly captured in the process. Tragically, Bradbury killed himself at 29 by drinking acid, having been accused of plagiarism by the director of Imperial.

The stories accompanying each work are fascinating, and just as interesting are the provocative pairings of images and the visual dialogues they suggest. An airy sketch of a tassel hyacinth by Vincent Van Gogh faces a woodblock by of a bellflower and dragonfly by Hokusai, the Japanese artist who had such an enormous influence on the Impressionists.

Pierre-Joseph Redouté, Rosa centifolia: Rosier à cent feuilles, 1820, hand-coloured stipple engraving, 23 x 32 cm, Lindley Library, Royal Horticultural Society, London. Picture credit: The Art Archive / Eileen Tweedy (page 10)

Pierre-Joseph Redouté, Rosa centifolia: Rosier à cent feuilles, 1820, hand-coloured stipple engraving, 23 x 32 cm, Lindley Library, Royal Horticultural Society, London. Picture credit: The Art Archive / Eileen Tweedy (page 10)

A hand-coloured print of a rose by Pierre-Joseph Redoute, Plant Painter to her Majesty Empress Josephine Bonaparte, shares a spread with a 3D digital rendering of a rose by contemporary Japanese artist Macoto Murayayam. Redoute used multiple processes to produce his hand-colouring engravings and Murayayam too uses several processes, first hand-drawing anatomical studies of dissected plants, then putting them through a software program so that they look like engineering blueprints for an alien world. Both use contemporary technologies to capture the beautiful geometry of the rose.

The images and stories in Plant are a reminder of our complex love affair with plants, and make for an addictive, page-turning treat.

Leonardo da Vinci, Star of Bethlehem (Ornithogalum umbellatum), wood anemone (Anemone nemorosa) and sun spurge (Euphorbia helioscopia), c.1505–10, pen and ink with red chalk on paper, 19.8 × 16 cm, Royal Collection Trust, London. Picture credit: Royal Collection Trust © Her Majesty Queen Elizabeth II, 2016 / Bridgeman Images (page 223)

Leonardo da Vinci, Star of Bethlehem (Ornithogalum umbellatum), wood anemone (Anemone nemorosa) and sun spurge (Euphorbia helioscopia), c.1505–10, pen and ink with red chalk on paper, 19.8 × 16 cm, Royal Collection Trust, London. Picture credit: Royal Collection Trust © Her Majesty Queen Elizabeth II, 2016 / Bridgeman Images (page 223)

 

It’s time to

Check for caterpillars
Spray with Dipel or Success if you must control caterpillar damage, but pause and consider the future butterfly first.

Trim wisteria
Keep the long whippy growth of wisteria trimmed back out of the way.

Plant tomatoes
Buy advanced pots, or start new plants from seed. They need a sunny spot and soil enriched with old compost and manure. If growing in pots, choose a bit container, or a variety bred for pot culture.

Pinch basil
Pinch out the growing tips to promote a bushier basil. Liquid feed weekly to move it along fast, producing the softest leaves.

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Plants I love

Worsleya and other fans

worsleya procera

Worsleya in flower last year. So far, nothing this year, but there’s still time.

The flower of Worsleya procera looks like a lily, but it’s wisteria-purple, a colour you never get in a lily. One of its common names is blue hippeastrum, which doesn’t suit it as well as another, Empress of Brazil, which at least captures its sense of drama. The throat of the flower is white and as the petals extend, each with a ruffled edge, the colour builds in lines to be richest at the petals’ tips. A handful of blooms unfold from the single flowering stem so it’s quite a show, but I’d grow it even if those blue December blooms never appeared.

Some plants you grow only for their flowers. Hibiscus, for example: really, who’d bother if it weren’t for those stunning blooms. But others are fabulous, flowers or not, and this is one of them. Grey-blue, silky-smooth leaves curve out of the central stem, all in the same direction, so that rather than a fountain effect it creates a kind a rooster’s tail, but longer, firmer – and green. Or a ponytail, complete, with a curling twist at the end.

worsleya-procera

You see what I mean – who wouldn’t want this!

These fabulous good looks are augmented by rarity, and the fact that it’s the only child in the species, so that Worsleya is a kind of secret handshake amongst plant lovers who, spying it on a fellow gardener’s terrace feel an instant rapport.

In its native Brazil Worsleya grows on rock faces in subtropical rainforests among lichens and mosses where hot days and cool humid nights result in heavy dew and persistent mist. Replicating those conditions at home means it’s best grown in a pot in a free-draining mix of orchid bark mixed with coconut peat or pea gravel. Water it daily and protect it from afternoon sun. Find it occasionally at Growing Friends at the Botanic gardens, or at plant fairs and shows.

aloe plicatilis

I’ve long been mad for the fan effect of this aloe, and picked this one at at the Collectors’ Plant Fair this year.

Slightly less rare, but with a similarly desirable flat foliage effect, like a plant pressed to grow between the pages of a book, is Aloe plicatilis. Where Worsleya grows in just one direction, this aloe grows in two, symmetrically, with the thick succulent leaves lined up tight like a partly opened fan, giving it the common name of fan aloe. It’s endemic to just a few mountains in the Fynbos of South Africa. Slowly, over decades, it will get to 5m, with multiple fans on a thick corky trunk, but so far at my place it’s happy, small and handsome in a pot. A sunny spot with well-drained soil is essential, whether in a pot or garden bed.

aloe plicatilis

I saw this Aloe plicatilis in flower at the fabulous Ballarat Botanic Gardens on my recent Ross Gardens Tour of Victoria.

Smitten by Worsleya and A. plicatilis, I fell for another fan at Collectors Plant Fair this year, the irresistibly named Boophone (boo-oh-foe-nee). There are two to choose from: Boophone disticha, which was used to tip poison arrows by the Hottentots, Bushmen and Bantu of its native South Africa and grows in a fan of straight leaves; and Boophone hameanthoides, which looks like it stuck its finger in the electricity socket and ended up with a tightly frizzled perm. Each leaf of the fan is wavy-edged for maximum startle effect.

Collectors Plant Fair 2106, photo by Daniel Shipp

Thanks to Collectors Plant Fair and Daniel Shipp for this pic of the amazing Boophone hameanthantoides and its dried flower heads.

Apparently both these African bulbs will flower with single enormous pink-red heads. The aloe too promises to burst into bloom late one winter with spires of orange-red flowers. Though I’d miss the summer show of blue blooms on the Worsleya I’m not really fussed if none of these flowers. My collection of fans doesn’t need flowers to make it exotic.

It’s time to

See flowers
Perennial Hill is a English-style flower garden on the sunny side of ‘The Gib’ in Mittagong. It’s open weekends until mid-December, 10am-4pm, $7. www.perennialhill.com.au

Feed roses
Deadhead spent blooms and give plants a supplementary feed of specialised rose food, such as Sudden Impact for Roses.

Plant petunias
For long-lasting colour in the sun, try petunias. The dark purple ones have an evening fragrance so are good for pots near the outdoor table.

Trim lavender
Cut back lavender after each flush of flowers to promote another flush.

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Other people's gardens

Disobedient gardens

The idea that a garden is a place of healing is now well established in the scientific literature. Central Coast-based garden designer Michael Cooke was forced into a very personal understanding of exactly how a garden is a place you nurture and which nurtures you back when, in 2012, he was seriously injured. Cooke, a keen and experienced horse rider had a serious fall and was in a coma for nine days. The prognosis looked grim, but after months of physiotherapy, exercise physiology, speech and occupational therapy, Cooke was allowed home. Little by little he ventured back into the garden, where he found solace, inspiration and the revelation that this – family, friends and gardens – was all he wanted. He has attempted to capture this sense of the richness offered by life in the garden in his new book, co-authored with photographer Brigid Arnott, called Disobedient Gardens, and he reckons the project was a big part of his recovery.

Garden by Michael Cooke

“I believe the time I spent writing this book,” he says, “reflecting and thinking about the gardens I created, together with being outside working, and just walking about looking at the garden with my dogs by my side, is what really healed me.”

The evocative title suggests gardens that are badly behaved, but by disobedient Cooke means a garden that balances manicured and wild elements and that reveals its own character rather than being dominated by a gardener, or worse by a designer. He favours textures that are weathered and organic, messy and time-affected over the shiny, neat and new. He likes a garden that has grown in a relationship with its owners, each impacting on the other to create a place of character, memory and beauty.

Cooke has been working in the five gardens presented in the book for years, helping develop and shape their character. Included are Valleyfield, the garden of Buon Ricordo chef Armando Percuoco and Gemma Cunningham in the Hunter Valley; a Georgian cottage with bucolic views at Foxground on the South Coast; an historic garden at Mount Wilson; a long-time friend’s large garden in the Central Coast and Cooke’s own home, Hawthorne.

Garden by Michael Cooke

Images from Disobedient Gardens by Michael Cooke and Brigid Arnott (Murdoch Books) $59.99

It’s Hawthorne that is at the heart of the book, and Cooke wonders whether readers will find it too wild and unrestrained. Certainly gardeners on one end of the chaos-control spectrum will find the garden a cause of anxiety rather than healing. It looks loved and lived in, an aesthetic romantically captured by Arnott. Early winter light catches a dewy lawn and box balls clipped into irregular teardrops; Cooke’s studio is shot at sunset, golden light just visible through the trees, and echoed in the windows of the low-slung building, whose red roof seems perfectly matched by a froth of crabapple blossom; slanting sun catches the sheets drying on the old Hills Hoist above a carpet of fallen autumn leaves; even the mossy stone flagging on the terrace looks appealingly lived-in rather than merely grubby.

Garden by Michael Cooke

Images from Disobedient Gardens by Michael Cooke and Brigid Arnott (Murdoch Books) $59.99

The seesaw between control and chaos is explored in each garden in the book, and the images, along with Cooke’s evocative story-telling, will have you considering the balance of restraint and wildness in your own garden and how noting how getting it right creates a place that feels like home.

Garden by Michael Cooke

Images from Disobedient Gardens by Michael Cooke and Brigid Arnott (Murdoch Books) $59.99

It’s time to

Head east
When Ellerslie Garden Show was sold to Christchurch council, and then failed to make as much money as the council expected it was mothballed. Slipping into the garden show gap – Auckland. See the New Zealand Flower and Garden Show in Auckland, November 23-27.

Fill the house with plants
One of the most annoyingly anachronistic bits of last year’s A Little Chaos movie about Versailles, was Kate Winslett’s character’s achingly hipster courtyard garden. It could have been designed by Rose Ray and Caro Langton, two London-based plant sellers and stylists who perfectly grasp modern interior plant-scaping. Their new book, House of Plants: Living with succulents, air plants and cacti, Quarto, $40, shows how it’s done.

Look for bugs
Bronze orange bugs are big bugs, often with brightly coloured backs that suck on citrus. Their very size is intimidating, especially en masse. Knock occasional visitors off the tree, and then step on them. For larger gangs, spray with something like Yates Nature’s Way Citrus and Ornamental Spray.

Feed the hydrangeas
Use a flower-boosting foliar feed as hydrangeas prepare to launch the show.

 

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Other people's gardens

Cool climate treats

The spring garden-visiting season is nearly over. If you spent some time looking at someone else’s garden this spring, join the club. Garden visiting is a massive tourism-related activity, but it essentially operates underground. There are no useful figures that show how popular looking at other people’s gardens, both private and pubic, is in Australia, but in the US garden tourism generates more revenue than any other form of tourism, including gambling. Because garden viewing is widely spread, often involves volunteers and doesn’t employ lobbyists, it doesn’t draw attention to its economic benefits, though Singapore’s massive tourism boost courtesy of Gardens by the Bay has been an eye-opener for the bean-counters.

So why do we go see gardens? One reason was right in front of me waving its lolly-pink hands as I rambled through gardens in the Southern Highlands recently. The Chinese cedar, Toona sinensis ‘Flamingo’, previously Cedrela, in spring is the colour of fairy floss. It’s screamingly pink, floaty as chiffon, elegantly tall and slender and irresistible to gardeners who live in cold climates.

Toona sinensis, Chinese cedar

Experiencing stuff you just can’t grow is one of the lures of garden visiting. In cool climates, Cedrela makes me laugh, I can’t walk past a lilac without sticking my head in for a deep breath of that amazing fragrance, and I am struck green with envy by the gorgeous tulip tree, Liriodendron tulipifera. I first noticed this tree in autumn when its crown glows as yellow as Irish butter. The leaves have the shape you’d cut out of paper if you had to show a tulip about to fall apart. I assumed that was the source of its common name, until I saw it in flower in spring. The flowers are like mini tulips, held facing upwards, in amazing graduated tones of green and orange. It’s stunning.

Tulip tree, Liriodendron

And then there are the maples – all those soft-leafed, highly dissected Japanese maples look so good in cool climate gardens just coming into delicate leaf in spring. The leaves flutter like feathers in the slightest breeze, and then slowly settle back into a dome that demands to be stroked. (These maples sneak into cooler gardens in Sydney, in places where they can be offered protection from crisping westerlies and scorching afternoon sun: not at my place.)

Japanese maple, Acer palmatum 'Kinshi'

Seeing plants you know used in new ways, meeting unfamiliar plants, seeing how space is used, how the gardens relate to the house, where the seats are placed, even how the practical things work, like where the bins go, and the clothes line, and how the watering works; all these inspire factors gardeners to go garden visiting. But ultimately the lure of another’s garden is the pleasure of being in a beautiful place, with nothing to do, not a weed to pull, simply for the joy of it.

Garden seat

There are just a few weeks left to visit someone else’s spring garden: check My Open Garden for late season offerings, and expect most garden gates to be shut by the end of the month.

 

It’s time to

Boost your skills
The Royal Botanic Gardens Sydney has teamed up with horticulturists from Yates to offer monthly workshops on garden know-how. Next up – Growing Summer Vegies and Herbs on Friday November 25, at Australian Botanic Garden Mount Annan and Saturday November 26 at Royal Botanic Garden Sydney, 10am-2pm, $95, includes a Yates ‘starter pack’ to take home.

Check the tank
A rainwater tank is an excellent way to save water to spend on the garden, but only around half of installed tanks are used, primarily because they are not working properly. Get the tank fixed before the hot dry weather arrives.

See Melbourne gardens
Garden DesignFest opens more than 30 private gardens, designed by professionals, in Melbourne and rural Victoria over two weekends, 12 and 13, and 19 and 20 November.www.gardendesignfest.com.au

Plant a mango
New dwarf varieties get to around 4m, small enough for many suburban gardens. Plant into a sunny spot where soil has been enriched with plenty of compost and old manure.

 

 

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Other people's gardens

Big ideas for small gardens

I can’t win – this weekend there’s no gardening in Spectrum because there’s too much advertising! So this week’s dose of gardening life comes from the current issue of Garden Clinic and it offers a few suggestions for making the courtyard a more satisfying space. If this seems like just the thing you need to find out more about, you’re in luck. Next Saturday, November 12, Richard Unsworth and Linda Ross are holding a workshop on using pots and plants to create creative small outdoor spaces at Garden Life in St Peters, 11am-2pm. It’s free for Garden Clinic members (sign up here) and $65 for non-members, including refreshments. Book on 1300 133 100.

Garden by Garden Life, photo by Nicholas Watt

Garden by Garden Life, photo by Nicholas Watt

Big ideas for Small gardens

Courtyard and balcony gardens are less forgiving than suburban gardens. A big garden can ramble a bit, drawing you past a bit of a dead patch with the lure of the something great glimpsed just around the corner. But in a small garden everything is on show, all the time. So those tired potted plants that have outlived or outgrown their containers nag us with their sad faces. The impulse purchases pile up near the tap or the back door in a dispiriting way; the paint chipping off the furniture has turned from rustic to ruined. There’s nothing for it, but to start again with a fresh eye and new inspiration.

For most of us a small garden makeover won’t mean changing anything expensive, like the flooring or walling of courtyards and balconies, but simply re-dressing the space with new plants, and perhaps some new containers, a fresh coat of paint, and a cushion. For inspiration we turned to Richard Unsworth, whose design business, shop and book, all called Garden Life, are a storehouses of great ideas for small spaces. See how you can work a few of his top tips into your own small garden space.

Keep it simple

Garden by Garden Life, photo by Paul Sinclair

Photo by Paul Sinclair

Simple works best in a small space, says Richard Unsworth. This courtyard is about eating outdoors, and the black and white tones of the dining table and chairs are echoed in courtyard floor and in the black and white pots and hanging lanterns. The space is completely engaging, with something to look at on all levels, from the shadows cast by the kentia palm on to the floor, to the hanging pots and lanterns and the big-banana-like leaves of giant strelitzia overhead.

Scale it up

Garden by Garden Life, photo by Nicholas Watt

Photo by Nicholas Watt

Richard reckons the number one mistake that home gardeners make in putting together a courtyard or balcony garden is in choosing small features to fit the small space. Small plants and furniture only make the space appear smaller he says. Instead, he advises, make a big gesture. Use a couple of big pots with big plants to give the space structure, then fill in the structure with smaller pots. Also consider how are you going to use the space. Do you need a table and chairs for dining, or could you eat inside and use the space for an outdoor lounge or one really great chair? Once you have the structure sorted, balance the hard and soft elements, making sure that there is not so much hard floor, wall or pot surface that the space feels unwelcoming. Use hanging or climbing plants to soften walls, and trail plants over pots to soften their edges.

On this terrace, the custom-made planters are scaled up. The central planter is large enough for a pair of mature dwarf date palms, two prized sculptures and supporting planting. In cylindrical pots of matching colour cloud-pruned junipers offer a contrast of shape and texture.

Show off

Garden by Garden Life

Small spaces look best when there is a certain amount of coherence and repetition in the materials and the plants used. But where does that kind of discipline leave us plant lovers! We know that the mass of little pots featuring our current treasures looks a bit of a mess. And yes, it’s hard to look after and a nightmare to sweep!- but we can’t help our urge to collect and our need to nurture. The solution, says Richard, is a display table. A handsome, or suitably rustic, table can be used to create an ever-changing display of treasures: plants we have recently fallen in love with; much-loved sculptures; a few precious rocks or shells or other found objects. A display table solves the collection problem – it looks good, is fun to arrange – and is easy on the back.

This is an especially stunning display table, anchored by the antique Sri Lankan brass ornament whose arching shape is mirrored in the frame of flowering star jasmine curving around an arched French door, but the idea – a careful composition of pieces and plants to nurture and love – is one that is easily replicated at home.

 

Mix textures

Garden by Garden Life

Too many different materials and plants crammed into a small space is dizzyingly busy, but the strict minimalism of all-matching pots and a limited plant palette is dull. Richard advises a careful blend of textures to keep everything balanced but interesting. Choose plain containers as a base –perhaps matte dark lightweight and cheap fibreglass – and contrast them with a few unusually shaped terracotta pots and perhaps a striking bronze or ceramic container filled with something eye-catching. Likewise put some coherence into structural or screening plants, then mix up textures in the rest of the planting, contrasting soft and hard, filmy and sharp, big and small.

The different textures of grey pots, side table stools and sofa cushions form a harmonious background against which the textures of succulent, strappy and bold foliage plants stand out, complemented by coloured soft furnishings and the sheen of a burgundy ceramic jug. Geo screens hide the car space and the neighbour’s wall in this inner west terrace courtyard.

5 great plants for balconies

Big:
Magnolia ‘Little Gem’ is a popular choice for small gardens, but beware – these evergreen beauties don’t like living in a pot for long. Better long-term choices are citrus and olives.

Shady:
Sanseveria, (let’s not call it mother-in-law’s tongue) – is great value in shade. ‘Mason’s Congo’ has big fat speckled leaves; S. stukyii has long cylindrical spires of grey-green leaves; and ‘Silver Sword’ has striking blue-green foliage.

Hot sun:
The rush-leafed bird of paradise, Stelitzia juncea, is hardy in a really exposed spot, including blasting westerly sun. It tolerates dry spells and general neglect and only needs to have the faded flowers removed.

Hanging:
Rhipsalis, donkey’s tail sedum, purple or variegated tradescantia, and Dichondra ‘Silver Falls’ are all good hanging from pots to curtain a wall, or trailing over containers to soften the edges.

Climbing:
Chinese star jasmine, Trachelopsermum jasminoides, is hard to beat for wall covering as it takes full sun or full shade, is covered with foliage from top to bottom and has flowers too.

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Other people's gardens

Gardening for good

I love the way gardening connects us to the past, to the generations of gardeners who have also found pleasure and satisfaction in growing things and making gardens. Of course it also connects us to our own past, and gardeners find they need that connection , even, or especially, when they no longer have a garden of their own. I was struck by the way that we will find a way to garden, somehow, when I met the volunteers who look after the garden at Lindesay in Darling Point, which is owned by the the Women’s Committee of the National Trust. Here’s the story I wrote for Spectrum about the garden:

You have to crouch down a bit to get the full effect of the views from Lindesay as they would have been when Campbell Riddell built his harbourside Gothic Revival villa at Darling Point in 1834. Stand tall and a conga line of tradie trucks, parked in the lane that has truncated the sloping lawn since early in the 20th century, are a visual intrusion. But get into the right position, one of the handily placed, black-painted ironwork benches will do fine, and you can link the lawn to an imagined set of stairs headed by a pair of impressive agaves, and conjure yourself into 19th century Sydney’s high society.

Lindesay, Darling Point

Volunteer gardener Ros Sweetapple is showing me around. Sweetapple started gardening at Lindesay in the early 1960s. The property had recently been willed to the Women’s Committee of the National Trust and the plan was to recreate a garden setting for the villa that was reminiscent of 19th century gardens. An English oak was planted as a symbol of ‘home’ for the first lady of the house, Caroline Riddell. A hoop pine was added to acknowledge the place of native auricarias in 19th century horticultural fashion and the central lawn sweeping down to the view was edged with other plants on the era’s must-have lists.

Lindesay, Darling Point

Ros Sweetapple gets to grips with the buxus.

Sweetapple jokes about having been closely supervised in the early days, and only allowed to trim the parterre with ‘nail scissors’. She also recalls visits made to Rookwood cemetery to collect cuttings of old roses so as to fill Lindesay’s beds with authentic 19th century plant material.

By 2014 the attempt to make a 19th century garden in the 21st century was failing and the focus on authenticity in plant material gave way to something far more elusive, a bid to recreate the sense of pleasure that being in the gardens at Lindesay had always provided; to offset the house and the views – without replicating a 19th century plant palette.

Lindesay, Darling Point

Partly this change had to do with pragmatism. Like all National Trust properties Lindesay has to sing for its supper. The weddings, functions, fairs, photo and film shoots that pay its way, all demand a garden that looks good every day of the year. To make it happen the mature plantings stayed but everything else went. Sydney-based garden designer, Christopher Nicholas, devised a planting plan that is modern, has references to the past and looks very good in a wedding photo. Flowers flush throughout the year, mostly in subtle blue tones, and never in enough chromatic dazzle to disrupt the tapestry of silver, blue and purple foliage that supplements the background greens, and complements any bridal party.

The team of volunteers keep it in great condition with five hours help a week from a professional, Nicholas Ball of Avant Design. Visit to see a precious slice of Sydney’s domestic history, and to nab some inspiration for textural planting in Sydney’s modern domestic gardens.

Lindesay, Darling Point

Lindesay is open to visitors on the first Thursday of every month except January, and its famous Christmas Fair is on November 17, 18 and 19. 1 Carthona Avenue, Darling Point.

It’s time to

Check the mulch
Use an organic mulch to reduce annual weeds, slow evaporation from the soil and maintain a more constant soil temperature. The ideal depth is about 50mm. Any deeper and water is prevented from reaching the soil and plant roots, any less and the benefits are missed.

Prune abutilon
Flowering slows in late spring and this is the best time to prune for a thicker shrub or to trim to fit the space.

Last chance
Florilegium: Sydney’s painted garden finishes its run at the Sydney Museum this weekend. The exhibition features botanical illustrations by internationally renowned artists of significant plants in the living collection of the Royal Botanic Gardens Sydney. 10am -5pm, $12.

Feed the lawn
Use a lawn food to nourish new growth, water in well, and raise the blades on the mower a few notches to allow a longer leaf to shade roots over summer and prevent scorched patches.

 

 

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